Illustrating coronavirus waves with moving images

The New York Times put out a master class in visualizing space and time data recently, in a visualization of five waves of Covid-19 that have torched the U.S. thus far (link).

The project displays one dataset using three designs, which provides an opportunity to compare and contrast them.

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The first design - above the headline - is an animated choropleth map. This is a straightforward presentation of space and time data. The level of cases in each county is indicated by color, dividing the country into 12 levels (plus unknown). Time is run forward. The time legend plays double duty as a line chart that shows the change in the weekly rate of reported cases over the course of the pandemic. A small piece of interactivity binds the legend with the map.

(To see a screen recording of the animation, click on the image above.)

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The second design comprises six panels, snapshots that capture crucial "turning points" during the Covid-19 pandemic. The color of each county now encodes an average case rate (I hope they didn't just average the daily rates). 

The line-chart legend is gone -  it's not hard to see Winter > Fall 2020 > Summer/Fall 2021 >... so I don't think it's a big loss.

The small-multiples setup is particularly effective at facilitating comparisons: across time, and across space. It presents a story in pictures.

They may have left off 2020 following "Winter" because December to February spans both years but "Winter 2020" may do more benefit than harm here.

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The third design is a series of short films, which stands mid-way between the single animated map and the six snapshots. Each movie covers a separate window of time.

This design does a better job telling the story within each time window while it obstructs comparisons across time windows.

The informative legend is back. This time, it's showing the static time window for each map.

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The three designs come from the same dataset. I think of them as one long movie, six snapshots, and five short films.

The one long movie is a like a data dump. It shows every number in the dataset, which is the weekly case rate for each county for a given week. All the data are streamed into a single map. It's a show piece.

As an instrument to help readers understand the patterns in the dataset, the movie falls short. Too much is going on, making it hard to focus and pick out key trends. When your eyes are everywhere, they are nowhere.

The six snapshots represent the other extreme. The graph does not move, as the time axis is reduced to six discrete time points. But this display describes the change points, and tells a story. The long movie, by contrast, invites readers to find a story.

Without motion, the small-multiples format allows us to pick out specific counties or regions and compare the case rates across time. This task is close to impossible in the long movie, as it requires freezing the movie, and jumping back and forth.

The five short films may be the best of both worlds. It retains the motion. If the time windows are chosen wisely, each short film contains a few simple patterns that can easily be discerned. For example, the third film shows how the winter wave emerged from the midwest and then walloped the whole country, spreading southward and toward the coasts.

(If the above gif doesn't play, click it.)

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If there is double or triple the time allocated to this project, I'd want to explore spatial clustering. I'd like to dampen the spatial noise (neighboring counties that have slightly different experiences). There is also temporal noise (fluctuations from week to week for the same county) - which can be smoothed away. I think with these statistical techniques, the "wave" feature of the pandemic may be more visible.

 

 

Surging gas prices

A reader finds this chart hard to parse:

The chart shows the trend in gas prices in New York in the past two years.

This is a case in which the simple line chart works very well.

I added annotations as the reasons behind the decline and rise in prices are reasonably clear. 

One should be careful when formatting dates. The legend of the original chart looks like this:

In the U.S., dates typically use a M/D/Y format. The above dates are ambiguous. "Aug 19" can be August 19th or August, xx19.

Ridings, polls, elections, O Canada

Stephen Taylor reached out to me about his work to visualize Canadian elections data. I took a look. I appreciate the labor of love behind this project.

He led with a streamgraph, which presents a quick overview of relative party strengths over time.

I am no Canadian election expert, and I did a bare minimum of research in writing this blog. From this chart, I learn that:

• the Canadians have an irregular election schedule
• Canada has a two party plus breadcrumbs system
• The two dominant parties are Liberals and Conservatives. The Liberals currently hold just less than half of the seats. The Conservatives have more than half of the seats not held by Liberals
• The Conservative party (maybe) rebranded as "progressive conservative" for several decades. The Reform/Alliance party was (maybe) a splinter movement within the Conservatives as well.
• Since the "width" of the entire stream increased over time, I'm guessing the number of seats has expanded

That's quite a bit of information obtained at a glance. This shows the power of data visualization. Notice Stephen didn't even have to include a "how to read this" box.

The streamgraph form has its limitations.

The feature that makes it more attractive than an area chart is its middle anchoring, resulting in a form of symmetry. The same feature produces erroneous intuition - the red patch draws out a declining trend; the reader must fight the urge to interpret the lines and focus on the areas.

The breadcrumbs are well hidden. The legend below discloses that the Green Party holds 3 seats currently. The party has never held enough seats to appear on the streamgraph though.

The bars showing proportions in the legend is a very nice touch. (The numbers appear messed up - I have to ask Stephen whether the seats shown are current values, or some kind of historical average.) I am a big fan of informative legends.

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The next featured chart is a dot plot of polling results since 2020.

One can see a three-tier system: the two main parties, then the NDP (yellow) is the clear majority of the minority, and finally you have a host of parties that don't poll over 10%.

It looks like the polls are favoring the Conservatives over the Liberals in this election but it may be an election-day toss-up.

The purple dots represent "PPC" which is a party not found elsewhere on the page.

This chart is clear as crystal because of the structure of the underlying data. It just amazes me that the polls are so highly correlated. For example, across all these polls, the NDP has never once polled better than either the Liberals or the Conservatives, and in addition, it has never polled worse than any of the small parties.

What I'd like to see is a chart that merges the two datasets, addressing the question of how well these polls predicted the actual election outcomes.

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The project goes very deep as Stephen provides charts for individual "ridings" (perhaps similar to U.S. precincts).

Here we see population pyramids for Vancouver Center, versus British Columbia (Province), versus Canada.

This riding has a large surplus of younger people in their twenties and thirties. Be careful about the changing scales though. The relative difference in proportions are more drastic than visually displayed because the maximum values (5%) on the Province and Canada charts are half that on the Riding chart (10%). Imagine squashing the Province and Canada charts to half their widths.

Analyses of income and rent/own status are also provided.

This part of the dashboard exhibits a problem common in most dashboards - they present each dimension of the data separately and miss out on the more interesting stuff: the correlation between dimensions. Do people in their twenties and thirties favor specific parties? Do richer people vote for certain parties?

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The riding-level maps are the least polished part of the site. This is where I'm looking for a "how to read it" box.

It took me a while to realize that the colors represent the parties. If I haven't come in from the front page, I'd have been totally lost.

Next, I got confused by the use of the word "poll". Clicking on any of the subdivisions bring up details of an actual race, with party colors, candidates and a donut chart showing proportions. The title gives a "poll id" and the name of the riding in parentheses. Since the poll id changes as I mouse over different subdivisions, I'm wondering whether a "poll" is the term for a subdivision of a riding. A quick wiki search indicates otherwise.

My best guess is the subdivisions are indicated by the numbers.

Back to the donut charts, I prefer a different sorting of the candidates. For this chart, the two most logical orderings are (a) order by overall popularity of the parties, fixed for all ridings and (b) order by popularity of the candidate, variable for each riding.

The map shown above gives the winner in each subdivision. This type of visualization dumps a lot of information. Stephen tackles this issue by offering a small multiples view of each party. Here is the Liberals in Vancouver.

Again, we encounter ambiguity about the color scheme. Liberals have been associated with a red color but we are faced with abundant yellow. After clicking on the other parties, you get the idea that he has switched to a divergent continuous color scale (red - yellow - green). Is red or green the higher value? (The answer is red.)

I'd suggest using a gray scale for these charts. The hardest decision is going to be the encoding between values and shading. Should each gray scale be different for each riding and each party?

If I were to take a guess, Stephen must have spent weeks if not months creating these maps (depending on whether he's full-time or part-time). What he has published here is a great start. Fine-tuning the issues I've mentioned may take more weeks or months more.

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Stephen is brave and smart to send this project for review. For one thing, he's got some free consulting. More importantly, we should always send work around for feedback; other readers can tell us where our blind spots are.

To read more, start with this post by Stephen in which he introduces his project.

Visually displaying multipliers

As I'm preparing a blog about another real-world study of Covid-19 vaccines, I came across the following chart (the chart title is mine).

As background, this is the trend in Covid-19 cases in the U.K. in the last couple of months, courtesy of OurWorldinData.org.

The React-1 Study sends swab kits to randomly selected people in England in order to assess the prevalence of Covid-19. Every month, there is a new round of returned swabs that are tested for Covid-19. This measurement method captures asymptomatic cases although it probably missed severe and hospitalized cases. Despite having some shortcomings, this is a far better way to measure cases than the hotch-potch assembling of variable-quality data submitted by different jurisdictions that has become the dominant source of our data.

Rounds 12 and 13 captured an inflection point in the pandemic in England. The period marked the beginning of the end of the belief that widespread vaccination will end the pandemic.

The chart I excerpted up top broke the data down by age groups. The column heights represent the estimated prevalence of Covid-19 during each round - also, described precisely in the paper as "swab positivity." Based on the study's design, one may generalize the prevalence to the population at large. About 1.5% of those aged 13-24 in England are estimated to have Covid-19 around the time of Round 13 (roughly early July).

The researchers came to the following conclusion:

We show that the third wave of infections in England was being driven primarily by the Delta variant in younger, unvaccinated people. This focus of infection offers considerable scope for interventions to reduce transmission among younger people, with knock-on benefits across the entire population... In our data, the highest prevalence of infection was among 12 to 24 year olds, raising the prospect that vaccinating more of this group by extending the UK programme to those aged 12 to 17 years could substantially reduce transmission potential in the autumn when levels of social mixing increase

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Raise your hand if the graphics software you prefer dictates at least one default behavior you can't stand. I'm sure most hands are up in the air. No matter how much you love the software, there is always something the developer likes that you don't.

The first thing I did with today's chart is to get rid of all such default details.

For me, the bottom chart is cleaner and more inviting.

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The researchers wanted readers to think in terms of Round 3 numbers as multiples of Round 2 numbers. In the text, they use statements such as:

weighted prevalence in round 13 was nine-fold higher in 13-17 year olds at 1.56% (1.25%, 1.95%) compared with 0.16% (0.08%, 0.31%) in round 12

It's not easy to perceive a nine-fold jump from the paired column chart, even though this chart form is better than several others. I added some subtle divisions inside each orange column in order to facilitate this task:

I have recommended this before. I'm co-opting pictograms in constructing the column chart.

An alternative is to plot everything on an index scale although one would have to drop the prevalence numbers.

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The chart requires an additional piece of context to interpret properly. I added each age group's share of the population below the chart - just to illustrate this point, not to recommend it as a best practice.

The researchers concluded that their data supported vaccinating 13-17 year olds because that group experienced the highest multiplier from Round 12 to Round 13. Notice that the 13-17 year old age group represents only 6 percent of England's population, and is the least populous age group shown on the chart.

The neighboring 18-24 age group experienced a 4.5 times jump in prevalence in Round 13 so this age group is doing much better than 13-17 year olds, right? Not really.

While the same infection rate was found in both age groups during this period, the slightly older age group accounted for 50% more cases -- and that's due to the larger share of population.

A similar calculation shows that while the infection rate of people under 24 is about 3 times higher than that of those 25 and over, both age groups suffered over 175,000 infections during the Round 3 time period (the difference between groups was < 4,000).  So I don't agree that focusing on 13-17 year olds gives England the biggest bang for the buck: while they are the most likely to get infected, their cases account for only 14% of all infections. Almost half of the infections are in people 25 and over.

 

Simple charts are the hardest to do right

The CDC website has a variety of data graphics about many topics, one of which is U.S. vaccinations. I was looking for information about Covid-19 data broken down by age groups, and that's when I landed on these charts (link).

The left panel shows people with at least one dose, and the right panel shows those who are "fully vaccinated." This simple chart takes an unreasonable amount of time to comprehend.

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The analyst introduces three metrics, all of which are described as "percentages". Upon reflection, they are proportions of the people in specific age ranges.

Readers are thus invited to compare these proportions. It's not clear, however, which comparisons are intended. The first item listed in the legend states "Percent among Persons who completed all recommended doses in last 14 days". For most readers, including me, this introduces an unexpected concept. The 14 days here do not refer to the (in)famous 14-day case-counting window but literally the most recent two weeks relative to when the chart was produced.

It would have been clearer if the concept of Proportions were introduced in the chart title or axis title, while the color legend explains the concept of the base population. From the lighter shade to the darker shade (of red and blue) to the gray color, the base population shifts from "Among Those Who Completed/Initiated Vaccinations Within Last 14 Days" to "Among Those Who Completed/Initiated Vaccinations Any Time" to "Among the U.S. Population (regardless of vaccination status)".

Also, a reverse order helps our comprehension. Each subsequent category is a subset of the one above. First, the whole population, then those who are fully vaccinated, and finally those who recently completed vaccinations.

The next hurdle concerns the Q corner of our Trifecta Checkup. The design leaves few hints as to what question(s) its creator intended to address. The age distribution of the U.S. population is useless unless it is compared to something.

One apparently informative comparison is the age distribution of those fully vaccinated versus the age distribution of all Americans. This is revealed by comparing the lengths of the dark blue bar and the gray bar. But is this comparison informative? It's telling me that people aged 50 to 64 account for ~25% of those who are fully vaccinated, and ~20% of all Americans. Because proportions necessarily add to 100%, this implies that other age groups have been less vaccinated. Duh! Isn't that the result of an age-based vaccination prioritization? During the first week of the vaccination campaign, one might expect close to 100% of all vaccinations to be in the highest age group while it was 0% for the other age groups.

This is a chart in search of a question. The 25% vs 20% comparison does not assist readers in making a judgement. Does this mean the vaccination campaign is working as expected, worse than expected or better than expected? The problem is the wrong baseline. The designer of this chart implies that the expected proportions should conform to the overall age distribution - but that clearly stands in the way of CDC's initial prioritization of higher-risk age groups.

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In my version of the chart, I illustrate the proportion of people in each age group who have been fully vaccinated.

Among those fully vaccinated, some did it within the most recent two weeks:

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Elsewhere on the CDC site, one learns that on these charts, "fully vaccinated" means one shot of J&J or 2 shots of Pfizer or Moderna, without dealing with the 14-day window or other complications. Why do we think different definitions are used in different analyses? Story-first thinking, as I have explained here. When it comes to telling the story about vaccinations, the story is about the number of shots in arms. They want as big a number as possible, and abandon any criterion that decreases the count. When it comes to reporting on vaccine effectiveness, they want as small a number of cases as possible.

 

 

 

 

 

Metaphors, maps, and communicating data

There are some data visualization that are obviously bad. But what makes them bad?

Here is an example of such an effort:

This visualization of carbon emissions is not successful. There is precious little that a reader can learn from this chart without expensing a lot of effort. It's relatively easy to identify the largest emitters of carbon but since the data are not expressed per-capita, the chart mainly informs us which countries have the largest populations. 

The color of the bubbles informs readers which countries belong to which parts of the world. However, it distorts the location of countries within regions, and regions relative to regions, as the primary constraint is fitting the bubbles inside the shape of a foot.

The visualization gives a very rough estimate of the relative sizes of total emissions. The circles not being perfect circles don't help. 

It's relatively easy to list the top emitters in each region but it's hard to list the top 10 emitters in the world (try!) 

The small emitters stole all of the attention as they account for most of the labels - and they engender a huge web of guiding lines - an unsightly nuisance.

The diagram clings dearly to the "carbon footprint" metaphor. Does this metaphor help readers consume the emissions data? Conversely, does it slow them down?

A more conventional design uses a cartogram, a type of map in which the positioning of countries are roughly preserved while the geographical areas are coded to the data. Here's how it looks:

I can't seem to source this effort. If any reader can find the original source, please comment below.

This cartogram is a rearrangement of the footprint illustration. The map construct eliminates the need to include a color legend which just tells people which country is in which continent. The details of smaller countries are pushed to the bottom. 

In the footprint visualization, I'd even consider getting rid of the legend completely. This means trusting that readers know South Africa is part of Africa, and China is part of Asia.

Imagine: what if this chart comes without a color legend? Do we really need it?

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I'd like to try a word cloud visual for this dataset. Something that looks like this (obviously with the right data encoding):

(This map is by Michael Tompsett who sells it here.)

 

Come si dice donut in italiano

One of my Italian readers sent me the following "horror chart". (Last I checked, it's not Halloween.)

I mean, people are selling these rainbow sunglasses.

The dataset behind the chart is the market share of steel production by country in 1992 and in 2014. The presumed story is how steel production has shifted from country to country over those 22 years.

Before anything else, readers must decipher the colors. This takes their eyes off the data and on to the color legend placed on the right column. The order of the color legend is different from that found in the nearest object, the 2014 donut. The following shows how our eyes roll while making sense of the donut chart.

It's easier to read the 1992 donut because of the order but now, our eyes must leapfrog the 2014 donut.

This is another example of a visualization that fails the self-sufficiency test. The entire dataset is actually printed around the two circles. If we delete the data labels, it becomes clear that readers are consuming the data labels, not the visual elements of the chart.

The chart is aimed at an Italian audience so they may have a patriotic interest in the data for Italia. What they find is disappointing. Italy apparently completely dropped out of steel production. It produced 3% of the world's steel in 1992 but zero in 2014.

Now I don't know if that is true because while reproducing the chart, I noticed that in the 2014 donut, there is a dark orange color that is not found in the legend. Is that Italy or a mysterious new entrant to steel production?

One alternative is a dot plot. This design accommodates arrows between the dots indicating growth versus decline.

 

Finding the hidden information behind nice-looking charts

This chart from Business Insider caught my attention recently. (link)

There are various things they did which I like. The use of color to draw a distinction between the top 3 lines and the line at the bottom - which tells the story that the bottom 50% has been left far behind. Lines being labelled directly is another nice touch. I usually like legends that sit atop the chart; in this case, I'd have just written the income groups into the line labels.

Take a closer look at the legend text, and you'd notice they struggled with describing the income percentiles.

This is a common problem with this type of data. The top and bottom categories are easy, as it's most natural to say "top x%" and "bottom y%". By doing so, we establish two scales, one running from the top, and the other counting from the bottom - and it's a head scratcher which scale to use for the middle categories.

The designer decided to lose the "top" and "bottom" descriptors, and went with "50-90%" and "90-99%". Effectively, these follow the "bottom" scale. "50-90%" is the bottom 50 to 90 percent, which corresponds to the top 10 to 50 percent. "90-99%" is the bottom 90-99%, which corresponds to the top 1 to 10%. On this chart, since we're lumping the top three income groups, I'd go with "top 1-10%" and "top 10-50%".

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The Business Insider chart is easy to mis-read. It appears that the second group from the top is the most well-off, and the wealth of the top group is almost 20 times that of the bottom group. Both of those statements are false. What's confusing us is that each line represents very different numbers of people. The yellow line is 50% of the population while the "top 1%" line is 1% of the population. To see what's really going on, I look at a chart showing per-capita wealth. (Just divide the data of the yellow line by 50, etc.)

For this chart, I switched to a relative scale, using the per-capita wealth of the Bottom 50% as the reference level (100). Also, I applied a 4-period moving average to smooth the line. The data actually show that the top 1% holds much more wealth per capita than all other income segments. Around 2011, the gap between the top 1% and the rest was at its widest - the average person in the top 1% is about 3,000 times wealthier than someone in the bottom 50%.

This chart raises another question. What caused the sharp rise in the late 2000s and the subsequent decline? By 2020, the gap between the top and bottom groups is still double the size of the gap from 20 years ago. We'd need additional analyses and charts to answer this question.

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If you are familiar with our Trifecta Checkup, the Business Insider chart is a Type D chart. The problem with it is in how the data was analyzed.

And you thought that pie chart was bad...

Vying for some of the worst charts of the year, Adobe came up with a few gems in its Digital Trends Survey. This was a tip from Nolan H. on Twitter.

There are many charts that should be featured; I'll focus on this one.

This is one of those survey questions that allow each respondent to select multiple responses so that adding up the percentages exceeds 100%. The survey asks people which of these futuristic products do they think is most important. There were two separate groups of respondents, consumers (lighter red) and businesses (darker red).

If, like me, you are a left-to-right, top-to-bottom reader, you'd have consumed this graphic in the following way:

The most important item is found in the lower bottom corner while the least important is placed first.

Here is a more sensible order of these objects:

To follow this order, our eyes must do this:

Now, let me say I like what they did with the top of the chart:

Put the legend above the chart because no one can understand it without first reading the legend.

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Data are embedded into part-circles (i.e. sectors)... but where do we find the data? The most obvious place to look for them is the areas of the sectors. But that's the wrong place. As I show in the explainer, the designer placed the data in the "height" - the distance from the peak point of the object to the horizontal baseline.

As a result of this choice, the areas of the sectors distort the data - they are proportional to the square of the data.

One simple way to figure out that your graphical objects have obscured the data is the self-sufficiency test. Remove all data labels from the chart, and ask if you still have something understandable.

With these unusual shapes, it's not easy to judge how much larger is one object from the next. That's why the data labels were included - the readers are looking at the data values, rather than the graphical objects. That's sad, if you are the designer.

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One last mystery. What decides the layering of the light vs dark red sectors?

This design always places the smaller object in front of the larger object. Recall that the light red is for consumers and dark red for businesses. The comparison between these disjoint segments is not as interesting as the comparison of different ratings of technologies with each segment. So it's unfortunate that this aspect may get more attention than it deserves. It's also a consequence of the chart form. If the light red is always placed in front, then in some panels (such as the middle one shown above), the light red completely blocks the dark red.

 

Reading an infographic about our climate crisis

Let's explore an infographic by SCMP, which draws attention to the alarming temperature recorded at Verkhoyansk in Russia on June 20, 2020. The original work was on the back page of the printed newspaper, referred to in this tweet.

This view of the globe brings out the two key pieces of evidence presented in the infographic: the rise in temperature in unexpected places, and the shrinkage of the Arctic ice.

A notable design decision is to omit the color scale. On inspection, the scale is present - it was sewn into the graphic.

I applaud this decision as it does not take the reader's eyes away from the graphic. Some information is lost as the scale isn't presented in full details but I doubt many readers need those details.

A key takeaway is that the temperature in Verkhoyansk, which is on the edge of the Arctic Circle, was the same as in New Delhi in India on that day. We can see how the red was encroaching upon the Arctic Circle.

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Next, the rapid shrinkage of the Arctic ice is presented in two ways. First, a series of maps.

The annotations are pared to the minimum. The presentation is simple enough such that we can visually judge that the amount of ice cover has roughly halved from 1980 to 2009.

A numerical measure of the drop is provided on the side.

Then, a line chart reinforces this message.

The line chart emphasizes change over time while the series of maps reveals change over space.

This chart suggests that the year 2020 may break the record for the smallest ice cover since 1980. The maps of Australia and India provide context to interpret the size of the Arctic ice cover.

I'd suggest reversing the pink and black colors so as to refer back to the blue and pink lines in the globe above.

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The final chart shows the average temperature worldwide and in the Arctic, relative to a reference period (1981-2000).

This one is tough. It looks like an area chart but it should be read as a line chart. The darker line is the anomaly of Arctic average temperature while the lighter line is the anomaly of the global average temperature. The two series are synced except for a brief period around 1940. Since 2000, the temperatures have been dramatically rising above that of the reference period.

If this is a stacked area chart, then we'd interpret the two data series as summable, with the sum of the data series signifying something interesting. For example, the market shares of different web browsers sum to the total size of the market.

But the chart above should not be read as a stacked area chart because the outside envelope isn't the sum of the two anomalies. The problem is revealed if we try to articulate what the color shades mean.

On the far right, it seems like the dark shade is paired with the lighter line and represents global positive anomalies while the lighter shade shows Arctic's anomalies in excess of global. This interpretation only works if the Arctic line always sits above the global line. This pattern is broken in the late 1990s.

Around 1999, the Arctic's anomaly is negative while the global anomaly is positive. Here, the global anomaly gets the lighter shade while the Arctic one is blue.

One possible fix is to encode the size of the anomaly into the color of the line. The further away from zero, the darker the red/blue color.