The discontent of circular designs

You have two numbers +84% and -25%.

The textbook method to visualize this pair is to plot two bars. One bar in the positive direction, the other in the negative direction. The chart is clear (more on the analysis later).

But some find this graphic ugly. They don’t like straight lines, right angles and such. They prefer circles, and bends. Like PBS, who put out the following graphic that was forwarded to me by Fletcher D. on twitter:

Bending the columns is not as simple as it seems. Notice that the designer adds red arrows pointing up and down. Because the circle rounds onto itself, the sense of direction is lost. Now, readers must pick up the magnitude and the direction separately. It doesn’t help that zero is placed at the bottom of the circle.

Can we treat direction like we would on a bar chart? Make counter-clockwise the negative direction. This is what it looks like:

But it’s confusing. I made the PBS design worse because now, the value of each position on the circle depends on knowing whether the arrow points up or down. So, we couldn’t remove those red arrows.

The limitations of the “racetrack” design reveal themselves in similar data that are just a shade different. Here are a couple of scenarios to ponder:

1. You have growth exceeding 100%. This is a hard problem.
2. You have three or more rates to compare. Making one circle for each rate quickly becomes cluttered. You may make a course with multiple racetracks. But anyone who runs track can tell you the outside lanes are not the same distance as the inside. I wrote about this issue in a long-ago post (see here).

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For a Trifecta Checkup (link), I'd also have concerns about the analytics. There are so many differences between the states that have required masks and states that haven't - the implied causality is far from proven by this simple comparison. For example, it would be interesting to see the variability around these averages - by state or even by county.

Presented without comment

Weekend assignment - which of these tells the story better?

Or:

The cop-out answer is to say both. If you must pick one, which one?

***

When designing a data visualization as a living product (not static), you'd want a design that adapts as the data change.

When the pie chart is more complex than the data

The trading house, Charles Schwab, included the following graphic in a recent article:

This graphic is more complicated than the story that it illustrates. The author describes a simple scenario in which an investor divides his investments into stocks, bonds and cash. After a stock crash, the value of the portfolio declines.

The graphic is a 3-D pie chart, in which the data are encoded twice, first in the areas of the sectors and then in the heights of the part-cylinders.

As readers, we perceive the relative volumes of the part-cylinders. Volume is the cross-sectional area (i.e. of the base) multipled by the height. Since each component holds the data, the volumes are proportional to the squares of the data.

Here is a different view of the same data:

This "bumps chart" (also called a slopegraph) shows clearly the only thing that drives the change is the drop in stock prices. Because the author assumes no change in bonds or cash, the drop in the entire portfolio is completely accounted for by the decline in stocks. Of course, this scenario seems patently unrealistic - different investment asset classes tend to be correlated.

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A cardinal rule of data visualization is that the visual should be less complex than the data.

What is the price for objectivity

I knew I had to remake this chart.

The simple message of this chart is hidden behind layers of visual complexity. What the analyst wants readers to focus on (as discerned from the text on the right) is the red line, the seven-day moving average of new hospital admissions due to Covid-19 in Texas.

My eyes kept wandering away from the line. It's the sideway data labels on the columns. It's the columns that take up vastly more space than the red line. It's the sideway date labels on the horizontal axis. It's the redundant axis labels for hospitalizations when the entire data set has already been printed. It's the two hanging diamonds, for which the clues are filed away in the legend above.

Here's a version that brings out the message: after Phase 2 re-opening, the number of hospital admissions has been rising steadily.

Dots are used in place of columns, which push these details to the background. The line as well as periods of re-opening are directly labeled, removing the need for a legend.

Here's another visualization:

This chart plots the weekly average new hospital admissions, instead of the seven-day moving average. In the previous chart, the raggedness of moving average isn't transmitting any useful information to the average reader. I believe this weekly average metric is easier to grasp for many readers while retaining the general story.

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On the original chart by TMC, the author said "the daily hospitalization trend shows an objective view of how COVID-19 impacts hospital systems." Objectivity is an impossible standard for any kind of data analysis or visualization. As seen above, the two metrics for measuring the trend in hospitalizations have pros and cons. Even if one insists on using a moving average, there are choices of averaging methods and window sizes.

Scientists are trained to believe in objectivity. It frequently disappoints when we discover that the rest of the world harbors no such notion. If you observe debates between politicians or businesspeople or social scientists, you rarely hear anyone claim one analysis is more objective - or less subjective - than another. The economist who predicts Dow to reach a new record, the business manager who argues for placing discounted products in the front not the back of the store, the sportscaster who maintains Messi is a better player than Ronaldo: do you ever hear these people describe their methods as objective?

Pursuing objectivity leads to the glorification of data dumps. The scientist proclaims disinterest in holding an opinion about the data. This is self-deception though. We clearly have opinions because when someone else  "misinterprets" the data, we express dismay. What is the point of pretending to hold no opinions when most of the world trades in opinions? By being "objective," we never shape the conversation, and forever play defense.

Visualizing black unemployment in the U.S.

In a prior post, I explained how the aggregate unemployment rate paints a misleading picture of the employment situation in the United States. Even though the U3 unemployment rate in 2019 has returned to the lowest level we have seen in decades, the aggregate statistic hides some concerning trends. There is an alarming rise in the proportion of people considered "not in labor force" by the Bureau of Labor Statistics - these forgotten people are not counted as "employable": when a worker drops out of the labor force, the unemployment rate ironically improves.

In that post, I looked at the difference between men and women. This post will examine the racial divide, whites and blacks.

I did not anticipate how many obstacles I'd encounter. It's hard to locate a specific data series, and it's harder to know whether the lack of search results indicates the non-existence of the data, or the incompetence of the search engine. Race-related data tend not to be offered in as much granularity. I was only able to find quarterly data for the racial analysis while I had monthly data for the gender analysis. Also, I only have data from 2000, instead of 1990.

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As before, I looked at the official unemployment rate first, this time presented by race. Because whites form the majority of the labor force, the overall unemployment rate (not shown) is roughly the same as that for whites, just pulled up slightly toward the line for blacks.

The racial divide is clear as day. Throughout the past two decades, black Americans are much more likely to be unemployed, and worse during recessions.

The above chart determines the color encoding for all the other graphics. Notice that the best employment situations occurred on either end of this period, right before the dotcom bust in 2000, and in 2019 before the Covid-19 pandemic. As explained before, despite the headline unemployment rate being the same in those years, the employment situation was not the same.

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Here is the scatter plot for white Americans:

Even though both ends of the trajectory are marked with the same shade of blue, indicating almost identical (low) rates of unemployment, we find that the trajectory has failed to return to its starting point after veering off course during the recession of the early 2010s. While the proportion of part-time workers (counted as employed) returned to 17.5% in 2019, as in 2000, about 15 percent more whites are now excluded from the unemployment rate calculation.

The experience of black Americans appears different:

During the first decade, the proportion of black Americans dropping out of the labor force accelerated while among those considered employed, the proportion holding part-time jobs kept increasing. As the U.S. recovered from the Great Recession, we've seen a boomerang pattern. By 2019, the situation was halfway back to 2000. The last available datum for the first quarter of 2020 is before Covid-19; it actually showed a halt of the boomerang.

If the pattern we saw in the prior post holds for the Covid-19 world, we would see a marked spike in the out-of-labor-force statistic, coupled with a drop in part-time employment. It appeared that employers were eliminating part-time workers first.

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One reader asked about placing both patterns on the same chart. Here is an example of this:

This graphic turns out okay because the two strings of dots fit tightly into the grid while not overlapping. There is a lot going on here; I prefer a multi-step story than throwing everything on the wall.

There is one insight that this chart provides that is not easily observed in two separate plots. Over the two decades, the racial gap has narrowed in these two statistics. Both groups have traveled to the top right corner, which is the worst corner to reside -- where more people are classified as not employable, and more of the employed are part-time workers.

The biggest challenge with making this combined scatter plot is properly controlling the color. I want the color to represent the overall unemployment rate, which is a third data series. I don't want the line for blacks to be all red, and the line for whites to be all blue, just because black Americans face a tough labor market always. The color scheme here facilitates cross-referencing time between the two dot strings.

Designs of two variables: map, dot plot, line chart, table

The New York Times found evidence that the richest segments of New Yorkers, presumably those with second or multiple homes, have exited the Big Apple during the early months of the pandemic. The article (link) is amply assisted by a variety of data graphics.

The first few charts represent different attempts to express the headline message. Their appearance in the same article allows us to assess the relative merits of different chart forms.

First up is the always-popular map.

The advantage of a map is its ease of comprehension. We can immediately see which neighborhoods experienced the greater exoduses. Clearly, Manhattan has cleared out a lot more than outer boroughs.

The limitation of the map is also in view. With the color gradient dedicated to the proportions of residents gone on May 1st, there isn't room to express which neighborhoods are richer. We have to rely on outside knowledge to make the correlation ourselves.

The second attempt is a dot plot.

We may have to take a moment to digest the horizontal axis. It's not time moving left to right but income percentiles. The poorest neighborhoods are to the left and the richest to the right. I'm assuming that these percentiles describe the distribution of median incomes in neighborhoods. Typically, when we see income percentiles, they are based on households, regardless of neighborhoods. (The former are equal-sized segments, unlike the latter.)

This data graphic has the reverse features of the map. It does a great job correlating the drop in proportion of residents at home with the income distribution but it does not convey any spatial information. The message is clear: The residents in the top 10% of New York neighborhoods are much more likely to have left town.

In the following chart, I attempted a different labeling of both axes. It cuts out the need for readers to reverse being home to not being home, and 90th percentile to top 10%.

The third attempt to convey the income--exit relationship is the most successful in my mind. This is a line chart, with time on the horizontal axis.

The addition of lines relegates the dots to the background. The lines show the trend more clearly. If directly translated from the dot plot, this line chart should have 100 lines, one for each percentile. However, the closeness of the top two lines suggests that no meaningful difference in behavior exists between the 20th and 80th percentiles. This can be conveyed to readers through a short note. Instead of displaying all 100 percentiles, the line chart selectively includes only the 99th , 95th, 90th, 80th and 20th percentiles. This is a design choice that adds by subtraction.

Along the time axis, the line chart provides more granularity than either the map or the dot plot. The exit occurred roughly over the last two weeks of March and the first week of April. The start coincided with New York's stay-at-home advisory.

This third chart is a statistical graphic. It does not bring out the raw data but features aggregated and smoothed data designed to reveal a key message.

I encourage you to also study the annotated table later in the article. It shows the power of a well-designed table.

[P.S. 6/4/2020. On the book blog, I have just published a post about the underlying surveillance data for this type of analysis.]